interview
24 pieces across 1 title
The Mancunion
- Interview: In conversation with Leif, Manchester's new kids on the block
- 'Now's The Time': Jon Onabowu on going solo and the future of jazz in the UK
- A Chat with STAT
- "If a horror film was a DJ set": Bad Revue and Inventing the Plow on Manchester's underground noise scene
- "You should have that community in the dance": An interview with sez.
- Interview: Daniel Land on shoegaze, survival, and growing up gay in rural England
- Man/Woman/Chainsaw interview: "Friendship is an art form"
- “I wanted to raise the question; why do we need this cheap labour?” Interview with Elias Demetriou on his film 'Maricel' at the Manchester Film festival 2026
- Interview: Mark Jenkin on his new film Rose of Nevada, Agnes Varda, and Time Travel
- Henry Nicholls headlines Fuel: University of Manchester's own one to watch
- Interview: Ragnhild Nøst Bergem and Ola Henningsen on their touching new documentary, Being Ola
- Synthesized director Chris Green on: Manchester film, independent filmmaking and synthesizers - Manchester Film Festival 2026
- Interview with Josalynn Smith on her thrilling debut, Ride or Die @ Manchester Film Festival 2026
- Interview: Lady director Samuel Abrahams on Art, Mockumentary and his new film at Manchester Film Festival 2026
- Misper Interview: Harry Sherriff and Laurence Tratalos talk their excellent debut film playing at Manchester Film Festival 2026
- "We had to take things with a pinch of salt": Simon Webbe and Duncan James of Blue
- “They completely think we’re monsters”: An interview with the Manchester Pro-Life Society
- 'Now Would Be a Good Time': An interview with Folk Bitch Trio
- "Anything good for you hurts first": An interview with Jehnny Beth
- Interview: Ben Wheatley on Bulk, the pitfalls of storytelling, and Minecraft
- Interview: Stuart Braithwaite of Mogwai
- Tim Booth of James: "I'm happy our music still speaks to people"
- "This is what we want to do for the rest of our lives": An interview with HotWax
- Interview: Nell Mescal on touring under pressure, her lyrical vulnerability, and 'The Closest We'll Get'